Fig. 1: 独わびしき門の戸に |
From the single miserable door at the gate, (fig. 1) a woman said, "Excuse me, excuse me, is anyone there?" (fig. 2)
Fig. 2: 女「すこし 御免なさいましゝゝ |
The homeowner said,"Oh, who is it?" (fig. 3)
Fig. 3: あるじ「アイどなたヱ |
Fig. 4: 女「 そふいふお声 は若旦那さん といひつつあ ける障子さえ。 |
The woman, while saying, "That voice is the young husband's" (fig. 4), opened the paper sliding door and hurried in through the warped threshold (fig. 5).Only an opening bracket-style quotation mark is used - the end of the quotation is denoted by the presence of the quotative particle 「と」 .
The woman was wearing an Ueda-style thick kimono with dark gray stripes (fig. 6) and a black whale-style obi patterned with small willows, with purple oak silkmoth crape stripes (fig. 7).
Fig. 7: 黒の小柳に紫の。やままゆじまの 縮緬を鯨帯とし。 | Fig. 6: 上田太織の 鼠の棒縞。 |
Fig. 5: ゆがむ 敷居にやう ゝゝ と。あけて 欠込其姿 |
Fig. 8: 下着はお納戸 の中形縮めん。 |
The "whale-style obi" (鯨帯) refers to a type of women's obi that suggests the contrast between day and night (昼夜帯). Just like a killer whale, it is black on the back and white on the front.
Her undergarments were grayish blue and made of medium size crape (fig. 8) She carried a headscarf in her hands, her disorderly sideburns in a Shimada-style bun (fig. 9).
Fig. 9: おこそ頭巾を手に
持くみだれし鬢の島田髷
Note: as Matt noted below, it is most likely the standard kuzushiji kanji for 「お」, 「於」.
Fig. 10: 素顔自慢か 寝起のま〱か。 |
Whether she was proud of her unpainted face, or had showed up leaving her face as it was when she woke (fig. 10), even though she hadn't tidied herself up/put on makeup, she was beautiful (fig. 11).
Fig. 11: つくろはね ども美しき。 |
Fig. 12: 花の笑顔に 愁の目元。 |
On the flower's [Yonehachi's] smiling face were grieving eyes (fig. 12).
This is another place where the kanji being used wasn't clear. The meaning fits, so the kanji has to be either 「愁」 or 「憂」, but neither look like the kuzushiji kanji seen in the scan. I couldn't figure out what the kanji that the 「も」 in 「めもと」 came from was either. I figured that one out by using the wonderful search tool over at Nihongo Resources. You can do wildcard searches, using "?" for a single character and "*" for any number of characters. I knew there was one kana between 「め」 and 「と」, so I searched for "め?と", which led me to 「目元」, which I was able to confirm by comparing the handwritten 「元」 to the print one. Note: the kanji from which 「も」 comes is probably also the most common one, 「毛」.
As explained in the comments below, 「花」 could be being used as an adjective here, indicating the beauty of Yonehachi's face, rather than being a noun that refers to her (as a person).
I agree with you about 嶋! I think that 嶋田 was a not-uncommon spelling for the hairstyle before standardization.
ReplyDeleteAren't お and も just from 於 and 毛, same as the modern ones?
I have a couple of nitpicks with the translation. First, I think that 花の here has an "adjectival" sense (like 花の女子大生 etc. in contemporary Japanese), although your interpretation makes grammatical sense too. Second, I think that the relevant sense of 繕う here is "adorn oneself, put on makeup" (although I don't think that he semantic distinction between this and "tidy (oneself) up" is absolutely clear-cut!)
Finally, this may be outside the scope of what you are trying to do, but I think that for a modern reader this passage raises the question of what her appearance means. Are her clothes expensive or cheap? What does a shimada signify about her place in society? Does all this contrast with her unmade-up face, or reinforce it? Etc.
Looking forward to the next post!
> First, I think that 花の here has an "adjectival" sense (like 花の女子大生 etc. in contemporary Japanese)
DeleteI haven't seen this pattern before. Are you just talking about the use of 「花」 to refer to beauty? That's the point I was trying to get across, but it wouldn't have been clear to someone who didn't know the subtext.
> I think that the relevant sense of 繕う here is "adorn oneself, put on makeup"
Yeah, this is definitely a valid interpretation - in my 古語辞典, one definition for 「繕ふ」 is 「化粧する」
> I think that for a modern reader this passage raises the question of what her appearance means
This is absolutely something that I'd like to delve into, but I have no knowledge about this topic at all. I'm actually reading a book on Heian culture right now - do you have any similar suggestions for Edo culture? I see this book might be helpful, but I'm rather out of my depth here. Japanese-language sources would probably be best, but as I'm not in Japan, I'll see if I can scrounge up some stuff online and maybe dedicate a later post to fashion as it appears in Umegoyomi.
> I haven't seen this pattern before. Are you just talking about the use of 「花」 to refer to beauty?
ReplyDeleteYep, if it is the 花の I am thinking of it is often "translated" as basically 華やかな. "花の衣" is an example of the same pattern I think and should be in most 古語 dictionaries (as it appears in the 古今集 etc.) Basically, what I mean is, I don't think that 花の...顔 means "the face of the flower [i.e. Yonehachi]", but rather "[Yonehachi's] lovely face" or "[Yonehachi's] flower of a face". But, as I mentioned, I don't know for sure. The syntax would certainly allow for the author simply calling Yonehachi a flower as you say.
Re the culture thing -- no, I only know bits and pieces and look things up myself in this area. I would love to be able to say "Oh, grey stripes and a shimada? That makes her between 17 and 23 years old, the second daughter of a family in the lower 40th percentile of wealth etc." but I'm a long way from that yet! I actually have a copy of this book somewhere but never got around to reading it. That's why I'm urging you to do the heavy lifting instead, heh.